MEDIUM VOICE
Francesca Caccini
Strophic, simple vocal line and rhythms. Good for introducing Baroque style to younger singers.
Maria Theresia Paradis
RANGE: E4-E5
TESSITURA: G4-C5
Piano doubles the vocal melody, Strophic with 3 verses, simple vocal line, scalar and triadic, repeated dotted rhythms.
Dorothy Parke
RANGE: C4-D5
TESSITURA: D4-D5
Piano occasionally doubles the vocal melody, melody is folk-like, syllabic, more sustained at the ends of phrases, shorter song. Simple scalar melody based off an Irish folksong. Singer must be comfortable sustaining D5.
Settimia Caccini
RANGE: D4-F5
TESSITURA: G4-D5
Strophic, each verse in three sections. Each section in a different meter. Scalar, middle tessitura, some sustained singing.
Emilie Zumsteeg
RANGE: B3-E5
TESSITURA: B3-G-sharp4
Piano doubles the vocal melody, scalar with some leaps, lower tessitura, shorter song with shorter phrases. Beautiful, Romantic style melody.
Evelyn Simpson Curenton
RANGE: D4-Eb5
TESSITURA: Ab4-Db5
Legato, sustained writing. More opportunity for the singer to work on expression with text and melody.
Corona Schröter
RANGE: D4-E-flat5
TESSITURA: F4-C5
Piano occasionally doubles the vocal melody, strophic, scalar, syllabic, medium tessitura. Great for teaching early German Romantic style.
Pauline Viardot
RANGE: F4-F5
TESSITURA: F4-C5
Piano doubles the vocal melody, short phrases, only sustained at the end, repetitive melodic line. Good for a more beginning student approaching French repertoire.
Lori Laitman
RANGE: C4-E-flat5
TESSITURA: E-flat4-B-flat5
Repetitive vocal line, simple vocal line and rhythms, medium tessitura, arpeggiated, sustained. Good for working on quieter dynamics while staying on the breath.
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